Category Archives: Sawyer (Josh Holloway)

Josh Holloway, without his shirt, in a cologne ad campaign

I think this is one of the best pictures of Josh Holloway without his shirt that I’ve seen — and that’s saying a lot. It’s from a print ad:

Josh Holloway in an ad for Cool Water cologne

Josh Holloway in an ad for Cool Water cologne

This is a screenshot from a TV ad for the same cologne:

Josh Holloway, emerging from the ocean, in screenshot from TV commercial

Josh Holloway, emerging from the ocean, in screenshot from TV commercial

Editing to add: I just found a copy of the commercial on YouTube, so I’m adding it in here:

And these are some screenshots from a video about the making of the ads. The first one does stray from the without-his-shirt theme of this post, but he looked so good there, I had to include it:

Josh Holloway, with stubble, in the "Making of" video

Josh Holloway, with stubble, in the "Making of" video

Josh Holloway, in "Making of" video, getting ready to dive

Josh Holloway, in "Making of" video, getting ready to dive

A blog devoted to men’s grooming products has posted what appear to be publicity stills from the making of the commercial. I especially like the one of Josh in jeans and no shirt, lying on his back, surrounded by the camera crew:

Josh Holloway lying down

Josh Holloway lying down

Print ad and videos (c) Davidoff Parfums

Several print ads, the TV ad video, and the “Making of” video are all available on the Cool Waters site.

Fanatic Sawyer fans (you know who you are) can also download wallpaper-sized high-resolution copies of the first image, as well as screensavers for the PC or Mac, on the Cool Waters “Goodies” page.

The “Josh Holloway lying down” picture is from The Grooming Guru, where you can find a much larger and higher-resolution copy, along with other high-resolution pictures from the commercial shoot. Editing 7/19/09 to add: Here’s one more!

Kate taking off her shirt

Those of you who used to read my old blog might remember the series of posts I did called “Without Their Shirts.” I thought about that today, after I found the pictures of Matthew Fox without his shirt in Rome. I thought it might be fun to redo the series here, and it would be a good chance to freshen it up with some new video clips, because so many of the clips I used before have subsequently been pulled off of YouTube.

I think that LOST combines highbrow and lowbrow impulses in a way few other TV shows do. It’s full of literary references and sophisticated character development, but also contains many action sequences and a generous sprinkling of unabashed beef- and cheesecake.

This first clip, which shows Kate taking off her shirt while standing in the ocean, is LOST at its most cheescakiest. There is no reason for this scene to exist other than to show her taking off her shirt. And at the end, she simply stands there, looking fabulous in her bra and thong — just posing for the camera.

In this next clip, Kate again takes off her shirt, but this time Sawyer is watching. This scene doesn’t feel gratuitous, the way the first clip did. It shows a key moment in Kate and Sawyer’s relationship. It is also, although only a few seconds long, one of the sexiest scenes ever shown on LOST, in my opinion:

The scene of Kate in the ocean is from the Season 1 Pilot, part 2. The scene of Sawyer and Kate in the cages is from episode 3×04, Every Man for Himself.

Eye candy

Pin-up worthy pictures of the women and men of LOST.

Mini recap of 5×15 ‘Follow the Leader’

Miles and Jin watching the people get on the submarine

Miles and Jin watching the people get on the submarine

Although the episode title refers to a “leader” in the singular, there are actually two leaders in this episode who set out on parallel treks in different times — Jack in 1977 and Locke in 2007. Each is convinced that he is finally acting out his destiny. And each has Richard Alpert tagging along, as fresh and dewy-looking as ever.

Jack wants to carry out Faraday’s plan to explode the bomb, in order to put things back the way they were. Kate’s not interested. If everything is undone, she will just become a fugitive again, and will never have met Jack. Besides, she thinks, not unreasonably, that it’s irresponsible to go around detonating hydrogen bombs.

Ellie, though, is glad to show Jack where the bomb is. She knows she has just shot her future son and of course would want to see that undone. Not to mention that the bomb is right under the village of her enemies, the Dharma Initiative.

Sayid pops up (I had forgotten about him!) and rescues Kate from being shot by a Hostile. Kate takes the opportunity to head back to Dharmaville, where she is captured and put on the submarine in the impromptu prisoner’s quarters already occupied by Sawyer and Juliet. They were gazing into each other’s eyes and reveling in their sweet Suliet-ness until being rudely interrupted by Kate’s arrival.

Jack, Sayid, and Ellie, accompanied, for some reason, by Alpert, enter some very cool-looking underground tunnels and find the bomb, which apparently was not encased in concrete after all.

Meanwhile, Hurley, Miles, and Jin are in the hills above Dharmaville. Poor guys! Sawyer, who was supposed to lead them to the beach, is on the sub, apparently not caring that he was leaving them behind.

Miles, though, learns something important about his past. He watches his father, Dr. Chang, yelling at his mother, who has baby Miles in her arms, telling her she has to leave. Grown-up Miles understands that his father is yelling not because he is cruel, nor because he wants to get rid of his wife and infant son, but because he knows that yelling is the only way he will get his wife to leave — and save herself and baby Miles. And so the Island, once again, seems to have healed one of its character’s painful lifelong Daddy issues!

Thirty years later, in the Hostile’s camp, John Locke is glowing with alpha male energy. Alpert (who John aptly describes as a kind of adviser who has had that job “for a very, very long time”) and Ben appear submissive, but seem to harbor mutiny in their hearts, as they follow John on a trek to find Jacob, who no one has ever seen before.

Alpert had told Sun that he had seen all the 1977 Losties die. Locke told her that Jacob can bring them back. But Locke told Ben that he really wanted to find Jacob in order to kill him.

There’s a mind-bending scene where Locke tells Alpert that his time-tripping self is going to appear in the jungle with a bullet in his leg (just as we saw him earlier this season). Locke tells Alpert to tell the other Locke that he has to bring everyone back to the Island, and that in order to do that he will have to die.

So Locke’s instructions came from …. future Locke. So it’s all a big circle? Excuse me while my head explodes.

Screencap from Lost-Media, (c) ABC

LOST in Paris

Producers/writers Damon Lindelof and Carlton Cuse recently returned from Paris, where they were honored at the Jules Verne Festival, receiving an award for their work on LOST.

Evangeline Lilly and Michael Emerson were there too, their identity having been kept a secret until the day they appeared, in a nod to the mysteries of the show.

This first clip is a little dark and shaky, but I love the excitement of the crowd, who were clapping and cheering and screaming as if they were at a rock concert combined with an Olympics final event.

In the beginning of this next clip, the crowd went wild again, counting down with the Dharma clock, and screaming when Evangeline Lilly came out.

The interviewers and Evangeline Lilly talked in French, and while I only know a few words of the language, the message was clear when Evangeline asked the crowd if they preferred Jack (boos) or Sawyer (big cheers).

Then Michael Emerson came out. More screams! Speaking in English, he had many interesting things to say about his character Benjamin Linus. At the end, some of the other stars, back in Hawaii, appeared in film clips to say hello to the Festival attendees. Josh Holloway got the biggest screams. Sawyer love is apparently the same all over the world.

How exciting this all looks! And how lucky the people who were there in the audience.

Recap of 5×14 The Variable

Faraday, saying, "She was wrong."

Faraday, saying, "She was wrong."

An amazing episode.

After we’ve heard Jack wail so many times, “We have to go back! We have to go back!” it turns out that no, they didn’t have to go back after all.

Faraday’s theory about how you can’t change the past is turned on its head.

We see Mommy issues that are just as twisted as the show’s ubiquitous Daddy issues.

The episode starts with a fabulous beginning, quickly flipping through scenes we’ve seen before — Faraday telling space-suited Desmond to meet him in Oxford, Eloise saying “God help us all,” Ben shooting Desmond.

Then new footage of Desmond in the hospital, Penny and baby Charlie. Eloise Hawking shows up! Says this was her son’s fault.

30 years earlier…. Faraday is coming out of submarine hatch, which we saw at the end of the last episode. Faraday asks Jack why he came back. Jack says Faraday’s mother told him it was his destiny. Faraday tells Jack, “She was wrong.”

Flashback to young Daniel playing the piano. His mother asks him if he knows what destiny means, and says it’s a special gift that must be nurtured. His gift is his mind, his talents in math and science. So he will have no more time for the piano! “I can make time,” Daniel says, but Mom Eloise is unyielding.

Meanwhile in Dharmaville, Jack finds out that Phil is in Sawyer’s closet.

Faraday goes to the Orchid. Dr Chang says “God help us all” — we saw this earlier this season in Episode 1. Faraday says that there will be an explosion in the Swan station 30,000 times more powerful than the one in the Orchid. Dr C asks, how do you know? Faraday says, I’m from the future. Faraday tells Dr. C that Miles is his son. Miles is not pleased.

Flashback of Daniel graduating, getting his doctorate. Mom Eloise is horribly rude to Daniel’s girlfriend Theresa, then whisks him off to lunch alone. He tells her he has a grant from Charles Widmore! Her expression is unreadable. She gives him a gift, and then leaves. It’s the book that we always see him writing in, his constant.

Dharma time. All the Dharma losties are meeting, talking about skipping town, debating whether to get on the sub or go into the jungle. Knock on door. It’s Miles and Faraday. Sawyer, to Miles: “He still crazy?” Miles: “It’s on a whole new level, man.”

Flashback to Daniel freaking out while watching the news on TV about Flight 815 being under the sea. (We’ve seen this part of the scene before.) He’s in terrible shape from having sent himself through time, which destroyed his mind and his memory (and messed up his girlfriend and cost him his job). He doesn’t even know why he’s so upset by the broadcast.

Charles Widmore shows up! Tells Daniel that he had faked the Flight 815 crash. Offers him a new opportunity — to go to the Island. Tells him it will heal his mind. Says he shouldn’t be wasting his gifts. Faraday says, “You sound like my mother.” Widmore says that’s because they are friends.

Dharma Losties argue about whether to go to the Hostiles to find Ellie, Faraday’s mother. Jack wants to, Sawyer doesn’t. They both appeal to Kate, but it’s Juliet who tells them the fence combination. They split up — Kate, Jack, and Faraday take off. Faraday sees little Charlotte, tells her she has to leave. They have a shoot-out with Radzinsky.

Flashback to messed-up Faraday playing the piano. Mom Eloise comes in, tells him he should accept Widmore’s offer. She echos Widmore in saying that the Island will heal him. Faraday, pathetic, asks Eloise if taking the job will make her proud of him.

Dharma time. Faraday says, this is our present. Any one of us can die.” Well, there goes my theory.

Radzinsky finds Phil in Sawyer/Juliet’s closet. Uh oh!

Faraday explains to Kate and Jack that after the explosion goes off in the Swan, then the hatch will be built, the button will have to be pushed to keep the energy contained, Flight 815 will crash, and he himself will be on the freighter, and so on. All of that will be the result of the explosion that is about to happen.

He says he thought that you couldn’t change the past, but that’s because he was thinking of the constants. But what about variables? He says THEY are the variables. They CAN change their destiny.

And he intends to do that by detonating the H-bomb.

Back to Penny and Eloise, who says she has come to apologize. For once, she doesn’t know what is going to happen next. But Desmond is fine! He tells Penny, “I promised I’d never leave you again.”

Eloise walks out of the hospital. Widmore creeps out of the shadows. She tells him he should go inside and visit his daughter, Penny. He says that relationship was one of the things he had to sacrifice. She says, don’t talk to me about sacrifices. I sent my son back, she says, knowing full well what would happen.

Widmore says, “He’s my son too!”

Eloise slaps him.

In Dharma time, our trio creeps up on the Hostile’s camp. Faraday confronts Richard Alpert. Then young Eloise shoots Faraday! He says, “You knew. You always knew this would happen.” But young Eloise has a blank expression. Is she faking?

And is Faraday dead?

Screencap of Faraday (lightened/cropped) from the DarkUFO sneak peek video #2 in my previous post, (c) ABC

Evangeline Lilly talks about Josh Holloway and Matthew Fox

Sawyer, Kate, and Jack Season 1 promo picture

Sawyer, Kate, and Jack Season 1 promo picture

Those of you (and I know you are out there!) who HATE the Kate-Sawyer-Jack-(Juliet) love triangle/quadrangle might want to back out now, because in this video, Evangeline Lilly (Kate) talks about what it’s like to work with her co-stars Matthew Fox (Jack) and Josh Holloway (Sawyer).

Actually, this has some great clips — of Sawyer taking off his glasses when he firsts sees Kate in Dharma time, of a tender Sawyer-Kate kiss, of the Kate-Jack kiss after Kate leaves Aaron (though that latter scene is almost too dark to see, at least on my monitor), and of the interaction between Jack and Sawyer when Jack refuses to treat Little Ben.

Evangeline talks about how Matthew and Josh have different ways of working, how Matthew is more cerebral, and Josh more instinctive:

Promo picture (c) ABC, from Lost-Media.com

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