Category Archives: Interviews

Josh Holloway (Sawyer) on Jimmy Kimmel

josh holloway sawyer on jimmy kimmel LOST

Josh Holloway, looking good with a stubbly beard, on Jimmy Kimmel May 20, 2010

They talk about the ending, without giving anything away. At the end of the interview, they show a sneak peek (same one shown here earlier) of the finale.

Damon and Carlton talk to the New York Times

Damon and Carlton

Some highlights of the interview published May 13, 2010:

1) Damon and Carlton are asked the question that comes up in almost every interview — how much of the end did they know when they started?

What’s interesting is that Carlton gives an answer that I don’t think I’ve seen before:

CARLTON CUSE: The literal last scene of the show was something that we concocted very early on in the first season of the show.

I’d read an interview, earlier, where they said that they came up with the ending between the first and the second seasons. So this is new info (for me, at least) that they had thought up the very last scene so early.

Carlton then goes to say something more in line with previous interviews:

But the last episode is an amalgam of ideas that started with our first mythology conversations in the first season when we realized after the pilot came out and the ratings were huge that the show was going to go a long time.

I’m getting very excited now, to see the finale, especially since it sounds like we will be kept in suspense until the very last moment. It’s going to be a long wait, for that moment to come — three-and-a-half hours, if you watch the recap show that will precede the finale, to get to that very last scene.

2) Damon talked at some length about redemption as a theme:

Q. Your show traffics in a lot of big themes — fate versus free will, good versus evil, faith versus reason, how often Sawyer should be shirtless. Ultimately, what were the most important themes for you in this series?

DAMON LINDELOF If there’s one word that we keep coming back to, it’s redemption. It is that idea of everybody has something to be redeemed for and the idea that that redemption doesn’t necessarily come from anywhere else other than internally. But in order to redeem yourself, you can only do it through a community. So the redemption theme started to kind of connect into “live together, die alone,” which is that these people were all lone wolves who were complete strangers on an aircraft, even the ones who were flying together like Sun and Jin. Then let’s bring them together and through their experiences together allow themselves to be redeemed. When the show is firing on all pistons, that’s the kind of storytelling that we’re doing.

I think we’ve always said that the characters of “Lost” are deeply flawed, but when you look at their flashback stories, they’re all victims. Kate was a victim before she killed her stepfather. Sawyer’s parents killed themselves as he was hiding under the bed. Jack’s dad was a drunk who berated him as a child. Sayid was manipulated by the American government into torturing somebody else. John Locke had his kidney stolen. This idea of saying this bad thing happened to me and I’m a victim and it created some bad behavior and now I’m going to take responsibility for that and allow myself to be redeemed by community with other people, that seems to be the theme that we keep coming back to.

This seems to bolster my Oedipus LOST theory, which I’m thinking now may be wrong in the details, but may be right in some overarching kind of way. In that theory Jacob redeemed himself by bringing the LOST-ies to the Island and helping them to redeem themselves, in order to atone for a long-ago crime.

3) Carlton talked about the relationship between Sawyer and Juliet, how it started as a “what if” question, how they were doubtful the idea would work, and how, in the end, it took on a surprising life of its own:

And lo and behold, this thing blossomed forth that no one was expecting, which was there was sort of a mature kind of love between these two characters.

It’s a good interview, well worth reading the whole thing: The Men Who Made ABC’s ‘Lost’ Last

Damon and Carlton talk about 6×01

notLocke in "LA X"

Jeff Jensen and Dan Snierson of Popwatch interviewed Damon Lindelof and Carlton Cuse, who talked about how long they’ve had the idea of the flash-sideways, some of the differences between the Season 1 and Season 6 flight scenes, why they wanted to do the dual timelines, and more. Very informative! Read it here: Damon and Carlton Explain a Few Things About the Start of Season 6.

Darlton were also on Jimmy Kimmel tonight, where they were quite entertaining. Here it is, in two parts:

Picture of notLocke is from the scene near the end where he is talking to Ben. It’s from lost-media.com.

Damon and Carlton talk about Season 6, boldness, and going off the grid

Maureen Ryan, who writes The Watcher column at the Chicago Tribune, recently talked to Damon Lindelof and Carlton Cuse, for over an hour, about Season 6. She published a column with the highlights of the interview and will be posting the full transcript soon.

Here are some highlights of the highlights:

Damon and Carlton will write the Season 6 finale, and Jack Bender will direct it.

Season 6 will start where Season 5 left off. Carlton said:

There’s an eight-month gap [between seasons], but when you actually buy the DVDs, you’ll put the finale in for Season 5 and then you’re put the first disc in for Season 6 and it will feel like a very continuous experience.

Carlton said that this season’s central concept will be bold:

Last year, we committed to this concept of time travel with a certain expectation that some people really might not respond to it. I think the most pleasant surprise was how much people embraced it, because it was difficult and it was much more overtly science fiction, and yet people really seemed to like the season,” Cuse said. “But we have the same anxiety about what we’re doing this season. We kind of feel like the fundamental tenet that we’ve tried to follow as storytellers is ‘Be bold.’

He expressed uncertainty that the bold Season 6 approach would be well-received, but perhaps he doth protest too much:

But in being bold sometimes you fall on your face. So, we committed to a narrative approach this season which we feel is bold and it’s different than what we’ve done before. And if it works, it’ll be exciting, but it might not be everybody’s cup of tea either.

Damon said they really did plan everything out far in advance. Really, really, truly:

Despite what people think or say, so much of it has been talked about and planned for years now that you’re just kind of executing the plan to the best of your ability and changing the plan when it’s not working, but otherwise, you’re kind of married to the inevitable — the stuff that we want to do.

Carlton said it will be up to us to interpret the show, when it’s all over, and they won’t get in our way. Will they really be able to resist putting in their two cents? I wouldn’t, if it were me:

Cuse said the duo is going “off the grid” after the finale airs in order to avoid “having to interpret the ending.” More from Cuse on this topic: “We’ve always felt that one of the compelling elements of ‘Lost’ is its intentional ambiguity. The fact is, it’s open for interpretation and discussion and we feel like we would be doing a disservice to the fans and the viewers to say, ‘No, you must only look at this in one way.’ We don’t think that is really good for the show or for people’s ability to read into the show what they want…. We really feel we are very committed to this notion of not sort of stripping the show of its essential mystery. I mean, mystery exists in life …. There are sort of fundamental elements of mystery and magic to the show that are unexplainable, and any attempt to explain them would actually harm the show, and in our opinion, the legacy of the show. So we’re trying to find that kind of right blend of answering questions, but also leaving the things that should be mysterious, mysterious.

Finally, there’s great news for all of you (or is it only me?) who love to hear the LOST actors sing:

I jokingly suggested that this season we’d see either the much-discussed Zombie Season or at the very least a “Lost” musical. Unfortunately it was a no on both counts, but Cuse did say that in Season 6, we will see “a character singing.”

See Maureen Ryan’s full column, along with new Season 6 cast publicity photos here: ‘Lost’ photos and info found: A few thoughts from Cuse and Lindelof on the end of the island drama

Damon, Carlton and a Polar Bear picture via Lostpedia

Henry Ian Cusick stars in “Darwin’s Darkest Hour”

Henry Ian Cusick as Charles Darwin

Henry Ian Cusick as Charles Darwin

Henry Ian Cusick (Desmond on LOST) plays Darwin in a 2-hour special, presented by NOVA and National Geographic Television, airing on PBS tomorrow, Tuesday, October 6, 2009, at 8:00 PM. The program will also be available online starting on October 7.

The drama, which is set in 1858 when Darwin was 49 years old, focuses on the time when Darwin struggled to decide whether or not he should go public with his theory of evolution.

In an interview posted on the NOVA website, Cusick was asked if he was surprised by anything he learned about Darwin or his theory while working on the film. Cusick answered:

Yes. You know, for all the creationists out there, Darwin’s just an atheist. But he was actually agnostic. There’s a passage in the film in which he says that he doesn’t know where the initial spark of life came from, you know? He thought that that spark of life came to Earth, and then from that one spark all these other things were created. And I think that’s a very honest and open view….

The passage in the script, from Darwin’s own writing, goes: “I think there’s beauty—and grandeur—in a view of life having been originally breathed into perhaps a single form, and that from so simple a beginning, endless forms, most beautiful and wonderful, have been and are being evolved.”

I think that’s lovely. That is my favorite speech of the film. It seems like a very intelligent way of looking at how we arrived here. His view, to me, seems very plausible and very simple.

Here are two promos:

More information: Official site for “Darwin’s Darkest Hour”

Pre-Emmy interview of Michael Emerson

TV Guide did a video interview of Michael Emerson and his wife, Carrie Preston, in their Los Angeles home.

Michael showed some of his drawings (it’s not fair that one person can have so many talents!):

Self-portrait by Michael Emerson

Self-portrait by Michael Emerson

He’s not making any predictions about whether he will win the Emmy this year, the third time he’s been nominated for Outstanding Supporting Actor for a Drama Series for his brilliant work on LOST. He said he’ll just be happy to dress up and go to the party.

Here’s the interview:

The Emmys are tomorrow night, Sunday, September 20, 2009 on CBS at 8:00 PM (7:00 PM Central). Tune in and root for Emerson; for the show itself, which is nominated for Outstanding Drama Series; and for the writers (Darlton), editors, and sound mixers who are all nominated for their work on the season finale, The Incident.

Video by TV Guide

Bumbershoot part 2: ‘Fortunately, Damon loves time travel’

Bumbershoot 2009 logo

Carlton Cuse (at an earlier event)

Carlton Cuse (at an earlier event)

In this segment of the LOST panel at Bumbershoot (the Seattle arts festival named after an old slang term for umbrella), producer/writers Carlton Cuse, Eddy Kitsis, and Adam Horowitz talked about what it’s been like to write the show.

Host Jeff Jensen asked them what was the most difficult thing to write, and they all agreed that it was time travel. They had to put detailed charts and graphs on the writers’ room walls so that they could keep track of where they were.

Carlton said, “Fortunately, Damon really loves time travel.” They spent, he said, a great deal of time trying to figure out the mechanics of it.  Maintaining their concept of non-paradoxical time travel was tricky, and when they opened a time loop, they had to put a lot of thought into making sure they could figure out a way to close it.

The panelists then talked about how getting an end date changed what they were able to do with the show.

They also said some fascinating things about how they write. It’s a collaborative process. Nine of them sit around a conference room table. They start writing each episode by deciding which character it’s going to be about.  Each episode has three stories — an Island story, an off-Island story (which may be a flashback or a flashforward — or, Carlton said, “whatever that might possibly be in Season 6” … hmmm), and a little C-story. Then they fit it all into a six-act structure.

They wrote the show like fans of the show.  “What would be cool?” they asked themselves.  “Wouldn’t it be cool if we actually showed the statue?” And so they did.

Video by Alextsway

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