Category Archives: Season 1

Kate taking off her shirt

Those of you who used to read my old blog might remember the series of posts I did called “Without Their Shirts.” I thought about that today, after I found the pictures of Matthew Fox without his shirt in Rome. I thought it might be fun to redo the series here, and it would be a good chance to freshen it up with some new video clips, because so many of the clips I used before have subsequently been pulled off of YouTube.

I think that LOST combines highbrow and lowbrow impulses in a way few other TV shows do. It’s full of literary references and sophisticated character development, but also contains many action sequences and a generous sprinkling of unabashed beef- and cheesecake.

This first clip, which shows Kate taking off her shirt while standing in the ocean, is LOST at its most cheescakiest. There is no reason for this scene to exist other than to show her taking off her shirt. And at the end, she simply stands there, looking fabulous in her bra and thong — just posing for the camera.

In this next clip, Kate again takes off her shirt, but this time Sawyer is watching. This scene doesn’t feel gratuitous, the way the first clip did. It shows a key moment in Kate and Sawyer’s relationship. It is also, although only a few seconds long, one of the sexiest scenes ever shown on LOST, in my opinion:

The scene of Kate in the ocean is from the Season 1 Pilot, part 2. The scene of Sawyer and Kate in the cages is from episode 3×04, Every Man for Himself.

Transcript now available for Damon, Carlton, Jack Bender’s talk in London

TV Overmind has posted a transcript of the July 3 London panel discussion with Damon Lindelof, Carlton Cuse, and Jack Bender that I mentioned in my last post.

Highlights:

Season 6 will have 16 episodes, with the first and the last each being two hours.

They will start shooting Season 6 soon — on August 24.

Producer/writer Damon Lindelof

Producer/writer Damon Lindelof

Damon, on Jack and Locke and things happening “for a reason” (give that man a duck with $100):

I’m a huge fan of whenever Jack and Locke talk to each other. We’ve been very judicious in having those guys talk to each other. It happens very rarely. I go back to White Rabbit and that six or seven minute long scene where they’re just sitting in the jungle. And Jack says he’s following the impossible, and Locke says what if it’s not impossible and we were all put here for a reason. And that scene is the genesis for those guys’ relationship. And if you think about how that was the third episode shot out of the pilot, here we are now, 100 episodes later, and now Jack is finally saying “Y’know, Locke might be onto something.”

(I think this is the scene in White Rabbit that Damon was talking about):

Producer/writer Carlton Cuse

Producer/writer Carlton Cuse

Carlton, on how they write an episode (I love these little glimpses into the screenwriting process):

We spend a lot of time breaking each aspect of the story, and once we have the story worked out from beginning to end, we’ll put it up on whiteboard and then pitch it back to ourselves. And we’ll have scenes in different colors, with an on-island story, an off-island story, and a C-story, split it into six acts for the commercial breaks, and structure it so you’ll want to come back after each act. Then we’ll give it to some writers to rewrite and send back, and we’ll give our notes, make some changes.

Carlton, on destiny and how it relates to the writers themselves:

Q: You make a lot about the characters searching for their destiny and their purpose. Do you feel that you yourselves had a purpose in your own lives being involved in the show, or you’ve learned something about life from doing it?

Carlton: I think as writers we use the show to explore personal issues, spiritual or otherwise. We’re mainly concerned by how much faith and how much control do you have over your own destiny, something which is very fascinating to us… The writers’ room is diverse and that diversity gets worked out in the characters.

Damon, on the ending:

Q: I want to know about the end of LOST. Michael Emerson said in an interview this week that he suspects it will be quite bittersweet or melancholy. Is it going to be an upbeat ending or ambiguous? Just any kind of hint to the flavor of the ending.

Damon: All of the above. We are aspiring for an ending that is fair. Bittersweet comes with the territory. The ending will be different as for once, we won’t leave you on a cliffhanger. You will stay on the cliff this time.

On the cliff! Ha ha. I can’t wait.

Read the full transcript for lots more interesting tidbits.

Photos of Damon and Carlton from Lostpedia (not taken at the London event).

LOST Seasons 1 and 2 are now out in Blu-ray


Lost Blu-Ray

Earlier this week ABC released, for the first time, Blu-ray editions of the first two seasons. (Seasons 3 and 4 already have Blu-ray editions out.)

The reviews have been glowing, with people saying that the picture, music, and sound effects are all richer than on the original DVDs.

A reviewer on Amazon wrote:

I compared both my DVD box set to this Blu-ray set and the picture quality in High Definition shows off detail that I never caught on DVD. From the plane wreckage to the orange dimples on the orange peel in John Locke’s mouth. These can be seen quite clearly on Blu-ray.

As for the audio, “LOST” is featured in DTS HD-Master Audio 5.1. The dialogue is quite clear but one thing that caught my attention is how magnificent the audio is in terms of capturing the ambiance of the island when each person is moving through the jungle. The explosions of the plane is caught all around you and you are literally immersed into the destruction of the plane as audio is heard on the front channels, surrounds, rear surrounds and through the LFE of your subwoofer. Very nice!

I don’t have the equipment to watch these, and I’m just a wee bit jealous.

Right now, these are on sale at Amazon for 30% off, and through July 16, 2009, they are also having a special promotion where you can get an additional $20 off for buying any 2 seasons of LOST on Blu-Ray, $30 off for buying any 3 seasons, and $40 off for buying all 4.



Jorge Garcia (Hurley) sings even more!

Jorge Garcia and the Band From TV

Jorge Garcia and the Band From TV


I love these “actors singing” videos.

Here, Jorge sings the bluesy “Mustang Sally” with a group comprised entirely of actors from various TV shows at the Netflix Live concert in August, 2008.

Jorge isn’t listed in the promo material, so maybe he was a surprise guest.

Hurley singing to Aaron, in Charlie's arms

Hurley singing to Aaron, in Charlie's arms

And here’s a clip where Jorge is singing “I Feel Good” in character, as Hurley. Notice how a wave from the ocean provides a final beat! I love Hurley’s last line too. It’s from Episode 1×21, The Greater Good.

Screencaps from videos (c) by “warplayer” and ABC.

For a reason — Season 1 finale

Each one of us was brought here for a reason.” — John Locke

This is the line that inspired the title of this blog, and it’s a line that sums up the central mysteries of LOST:  Why were the Lost-ies brought to the Island, and who or what brought them there? Locke says the line, or variations of the line, in more than one episode — most memorably in this scene from the finale of Season 1:

The short scene is like a greatest-hits recap of all the lines that lay out the show’s themes. Man of science versus man of faith. The Island brought us here. This is no ordinary place. It’s destiny. A sacrifice that the Island demanded. Jack: “I don’t believe in destiny.” Locke: “Yes, you do. You just don’t know it yet.”

So the groundwork for all these themes was already set in place in the first season. Now, part-way through Season 5, some of them are finally starting to come to fruition.

3/2/09 Editing to add Late last night (actually in the wee hours of the morning), I turned on the TV to see if there was anything on, besides infomercials, that I might watch for a few minutes before I went to sleep. I flipped through the channels, and there was a rerun of an old episode of LOST! About a minute later, the scene in the clip above, part of this post that I hadn’t yet finished, came on! Spooky! Cue Twilight Zone music.

I ended up watching the rest of the episode — the very end of Season 1. Even though I am writing two LOST blogs, I haven’t rewatched many episodes yet — I only became a hard-core LOST nerd recently, as a result of writing the blogs, rather than the other way around. It was interesting to see that piece of the Season 1 finale now — to see Walt so small, to see Hurley freak out when he saw the numbers inscribed on top of the hatch, to remember how it felt to watch that episode the first time, to remember the almost unbearable suspense of wondering what was inside the hatch.

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